Summer Ballet Camp LETO BALETA 2024
1-14 August 2024
AquaLife, Kranevo, Bulgaria
The best way to get back in shape for the new school year is to finish your summer by the sea with intensive training under the guidance of experienced coaches!
• 13 nights in a comfortable hotel of sport centre Aqua Life (https://aqualife-sport.com): 3 meals a day, swimming pool, access to the Black sea beach.
• 12 days of intensive training with experienced international teachers.
The participants are divided into 2 age groups: 12 – 15 years old, and 15 +.
• The workshop includes classical ballet, pointe technique, men’s technique, variations, classical repertoire, character dance, acting classes, floor barre, stretching up to 5 1/2 hours a day.
• The course will end with a Final Gala-Concert with all participants on the open-air stage 13 August.
Let’s get together to learn a new repertoire, to improve your technique, to perform, and meet new friends from all over the world!
On-demand:
Individual coaching in the afternoon.
Instagram: @summerballetcamp
Facebook: summerballetcamp
Information in Bulgarian: letobaleta.com
After short breaks we are back in ballet studio to work with you individually! Book your time: info@afterpetipa.com (teachers Anastasia Dunets or Stanislav Belyaevsky).
Basic ballet class work, technique improvement, pointe work, men’s technique, learning new variations, preparing for competition, floor barre, stretching.
How can you imagine Ilka’s variation from Lev Ivanov’s one-act ballet THE ENCHANTED FOREST? Have a look at a new video published on the page of this ballet – THE ENCHANTED FOREST. The first variation was restored by Stanislav Belyaevsky using choreographic notation from the Harvard Theatre Collection at Houghton Library (“The Sergeev Collection”) and presented by Katerina Torp.
Don’t miss a new video published on the page of the ballet Raymonda RAYMONDA! The first variation from the Dream scene choreography by Marius Petipa was restored by Stanislav Belyaevsky using choreographic notation from the Harvard Theatre Collection at Houghton Library (“The Sergeev Collection”) and presented by Katerina Torp.
